Author Interview with Rhys Hughes

If you could have a fantasy pet, what would you have and why?

I would choose a squonk. It’s a creature that is generally described as being small and roundish, indigenous to the hemlock forests of Pennsylvania, but I’m not even sure what a hemlock forest is, unless it just means it’s a forest where lots of hemlock grows. I imagined it as a forest where the hemlock plants are so tall they are like trees, but I guess that’s wrong. Squonks weep all the time. They are the saddest lifeforms in the world, and if you capture one in a sack it will dissolve completely into tears. But my wife loves animals of all kinds, and she is very sweet, so I reckon she would cheer it up. Maybe we would end up with the first jolly squonk in history, a squonk that likes to laugh. It’s a nice thought.

What type of music best describes your writing?

Jazz. Because the way I write often involves improvising between certain markers. I don’t plan stories carefully, but I know roughly the direction I want them to go, and there are certain points along the way I try to reach. Sometimes I don’t reach them but go around them, or even go off on tangents, but that doesn’t matter. My method is to attempt to link up all those points, but I am a pantser between those points. Absolutely like certain types of jazz. Not sure exactly what types. Could be trad, could be cool, bebop or fusion, maybe a mix of all the kinds. I played ragtime piano when I was younger and I began to get into looser forms too, but I was never an especially good musician. I do my jazz in my writing instead.

Tell us about your writing office/space and why it’s special to you.

I don’t have any office space at the moment. I am sofa surfing. In fact, I am homeless, but if I say that it sounds more desperate than it is. We lived in a nice apartment in India, but my visa expired so I had to leave the country. The UK is absurdly expensive, and until I get a proper job, I can’t afford an apartment here, so no office space. I write wherever I can and whenever I can, but that isn’t anything new. I can write almost anywhere. I once wrote a novella while hiking in the Sierra Nevada mountains and bivouacking under the stars. I used boulders as a desk and wrote the story longhand. The dream is to have office space again one day, of course. It will be a place where I can leave my notes lying around without worrying about interference. It’s special in that sense. Privacy and non-interference from outside forces.

What is your favorite piece of visual art that has inspired a story or two?

Escher has been a big influence on my work, a formative influence. I first saw one of his pictures when I was about eight years old, in some book or other, and it was ‘Waterfall’, one of his most famous lithographs. The caption under the picture said something like, “Can you tell what isn’t possible here?” and I studied the image for ages, but I couldn’t see anything impossible about it. Eventually I concluded that the plants in the lower left corner were undersea plants and shouldn’t be on land, exposed to the air. It was several days before I suddenly grasped that the waterfall design was the impossibility in question. I was astounded. Writers mostly talk about their literary influences, and I do that too, but Escher has been almost as important to me as any author. I decided that my ambition was to do with my writing something similar to what Escher did with visual art, to play with paradoxes and impossibilities in a pleasingly aesthetic manner.

If you didn’t write full-time what would your day job be? Is writing a hobby for you?

Writing is a full-time job for me at the moment, but it doesn’t earn enough for me to sincerely call it a career. I was an engineer many years ago. I had an interesting life as a consequence because I worked in unusual situations in places that weren’t exactly on anyone’s bucket list in tourism terms. I haven’t been an engineer for a long time. My last proper job was teaching mathematics to undergraduates. Occasionally I will be paid enough money for a story or a novel to keep me going for a few months. But I have a frugal lifestyle. Living in India and Sri Lanka was a lot cheaper than living anywhere in Europe. My writing income almost paid for my daily expenses. Maybe one of my books will break through one day and my writing income will go up as a result but I’m literally not banking on it. On the other hand, I wouldn’t describe my writing as a hobby. It’s more of a compulsion really.

What is your writing schedule and how many words do you write in a sitting?

My target has always been to write 1000 words every day, but it’s very rare that I hit exactly that number. It’s often more than that, often less. I sometimes double that output, even treble it. But there are days when I write nothing. Last year, 2023, was my most productive writing year ever. I wrote 350,000 words of fiction, and that doesn’t include the articles, plays and poems I wrote. I doubt I will ever again have a year as productive as that one. Productivity for its own sake is pointless, of course, but in my case, I really believe in my projects, and I have a lot of projects on the go at the same time. In fact, I am looking forward to slowing down and working on only one thing at any given time. It must be pleasant just to be working on one novel, one story, one play, one essay, instead of being in a whirl of ideas and rushing from one project to another and then back again…

How do you celebrate publishing a new story?

By starting to write a new one. I don’t celebrate my publications. I have a fear of living on past glories. Not that my achievements are glories in an objective sense. I can’t say that. We should be modest. But all the same, I really don’t like thinking about what I have done. The only way I feel happy is by thinking about what I am doing and what I plan to do. I can’t bear even to keep my own books. Not that I am able to keep many books of any kind anyway, as I am constantly moving around and can’t carry too much weight, and I’m unable to read eBooks. I tried hard, I put a kindle app on my phone, but it drove me nuts. I am too wedded to paper books. And yes, a kindle app isn’t the same as a Kindle, but I don’t care. It’s paper books for me or nothing. I have made that resolution. I celebrate my wife’s new publications but not my own. I think that’s fair.

How do you balance your outside life with your writing life?

I don’t. I’m not organized in that sense at all. I write when I can, and I also spend as much time as I can outdoors. I love hiking, mountaineering, and daily exercise is essential to me. I would more happily skip a writing day than an exercise day. I guess some sort of balance happens anyway, but it’s not through conscious choice. It’s just a case of me responding to what urgency compels me at the time, whether to bash out words for a story or stretch my legs on a trek. I am waiting to be reunited with my wife. Bureaucratic rules have kept us apart for four months. In another few months we should be together, fingers crossed. That’s what I’m living for. And in the meantime, I write and hike. I don’t climb dangerous mountains like I did in my youth. I only go up relatively safe ones. The view from the top is often just as good.

Write your eulogy in three sentences.

“He was never really sure what the word ‘eulogy’ meant, and he tended to get it confused with the word ‘epitaph’. He kept looking them up in dictionaries. But he would quickly forget the definitions because they aren’t words he used much…”

What project are you most proud of completing?

The next one. Always the next one. This is the true answer, but I know it’s not an answer that will be looked on with favour by anyone reading this. It seems evasive, perhaps. I used to say that my best novel was The Percolated Stars, and my best short story collection was Tallest Stories, but I don’t know whether I still agree. Maybe I do. I know that I am certainly very pleased with one of my novellas, My Rabbit’s Shadow Looks Like a Hand, simply because it features so many of the things that I really like about writing, I mean concept-play, wordplay, and tricky layouts, also the mix of a speculative fiction backstory with lots of vignettes that are done OuLiPo style, in other words with a mathematical structure, such as stories written following the Fibonacci Sequence, by which I mean that each sentence of the text has a specific number of letters in it determined by the sequence itself. I love games like that.

Do you have any projects you would like to tell your readers about?

All of them. But once again, I’m aware that’s not a very useful answer. So, I am going to say my novel The Wistful Wanderings of Perceval Pitthelm, which is an adventure story set in the early part of the 20th Century, a bit steampunkish but not quite of that genre, magic realist as far as it goes, quirky, whimsical, inventive. But leaning on readers like this feels uncouth. I have a new novel coming out from the same publisher, Growl at the Moon, which is a weird Western. And from the magnificent Elsewhen Press I have a novel called The Devil’s Halo due out, maybe at the end of 2024. That one I’m really looking forward to seeing in print.

Who is your favorite character from any of your stories and why? If you had to choose a popular author to continue writing this character in another book, who would you choose and why?

Now I am going to say something that is probably going to mark me out as a bit eccentric. In any fiction there are only two characters, the author and the reader. The other ‘characters’ aren’t characters, they are just words on a page bundled together and we call them characters as if they are real people, and this convention is so ingrained in our approach as readers that we simply won’t question it. But they aren’t real people. They are facets of the writer’s personality and intentions, and they are interpreted by facets of the reader’s personality and intentions. Thus, my favourite character in all my fiction has to be the reader. I can’t choose the writer as my favourite character because that would be impolite. So, if you happen to be reading any of my stories or my novels, you are my favourite character in them. As for who I would like to take over writing this character, there’s only one answer. Yourself.

Where can your readers find you on social media?

I am on Facebook, and I can be found at https://www.facebook.com/rhysaurus. I am on Bluesky too, but I don’t use it very often. I have very little interest in Instagram or any other social media. I use Goodreads. That’s about it.

Bio:

Rhys Hughes was born in Wales but has lived in many different countries. He began writing at an early age and his first book, Worming the Harpy, was published in 1995. Since that time, he has published more than fifty other books, and his work has been translated into ten languages. He recently completed an ambitious project that involved writing exactly 1000 linked short stories. He is currently working on a novel and several new collections of prose and verse.

Wikipedia: https://en.wikipedia.org/wiki/Rhys_Hughes SFE: https://sf-encyclopedia.com/entry/hughes_rhys

Author Interview with Can Wiggins

Q: If you could have a fantasy pet, what would you have and why?
A: Mmm. At the risk of incurring the wrath of The Worst Cat in The World, I would choose a Hellhound. I have a project started up and a hellhound figures into it. Cerberus? Why not ...

Q: What type of music best describes your writing?
A: I have two distinct sounds, one being jazz (all sorts) for the more noir bent while film and TV scores are my other bag of tricks which include SF, Fantasy, Horror. I also listen to classical music. Always have, probably always will. I don’t/can’t listen to rock while I’m writing.

Q: Tell us about your writing office/space and why it’s special to you.
A: I have a small desk I share with Edgar Allan Poe (I’m not kidding) in a corner of my living room, a window on either side. I can look out and see flowers, birds, deer, and the occasional gremlin.

Q: What is your favorite piece of visual art that has inspired a story or two?
A: This is a tough one as I’m quite visual and make art as well. A favorite artist is Gustav Klimt (all that gold and geometric design). His “Judith” (carrying the head of Holofernes!) is a definite yes for me as is “Athene” and “Hygeia” – strong women who took matters into their own hands for everyone’s betterment. Frida Kahlo, Leonora Carrington are my favourite surrealists, esp Carrington’s sculptures. And William Blake was a visionary, simply put. “Nebuchadnezzar”? Get out of town… what a horrorshow. But to be honest, I often get more inspiration from a phrase or line of dialogue in a movie or book, and often, something someone says in passing will hit me as “that would make a good story”, etc. Words have power.

Q: If you didn’t write full-time what would your day job be? Is writing a hobby for you?
A: Writing is not and never has been a hobby. I’ve always written with an eye towards being published, and/or to entertain readers and listeners. I do work but my dream day job? I would be an editor at a publishing company. Doesn’t have to be one of The Big Four but I think that would be right up my alley. I’ve always had work as a proofreader/editor, often at a newspaper, a law firm, or a design firm. It sounds tedious but it really isn’t. The job is to not only correct typos but to clarify and make the original work/writer “read” even better than they already do.

Q: What is your writing schedule and how many words do you write in a sitting?
A: I try to make time every day for writing, which can be tough. My goal is at least 500 words a day but if I’m in the zone, I go until I run out of steam, and I’ve popped out a couple of thousand words in a first go. I write between breakfast and early afternoon, but I often write after the rest of the house has gone to bed and I can work completely uninterrupted.

Q: How do you celebrate publishing a new story?
A: Oh, I’m terrible. I tell everyone, haha. Then I jump on another story.

Q: How do you balance your outside life with your writing life?
A: Outside life. That’s a good one. I like a little boob tube plus I garden and listen to music. I try to visit friends. I read a LOT. I have a very supportive partner who is a great cook, as well as a good beta reader.

Q: Write your eulogy in three sentences.
A: Allow me to do this in one: “Now I’ll really raise hell.”

Q: What project are you most proud of completing?
A: There’s a series I’ve been on for a while that I’m hoping to wrap up this year. Let’s leave it at that.

Q: Do you have any projects you would like to tell your readers about?
A: I have a Weird West tale that also could be considered an off the chain SF/Weird story.

Q: Who is your favorite character from any of your stories and why? If you had to choose a popular author to continue writing this character in another book, who would you choose and why?
A: Sweet Betsey from P.I.K.E. The titular character from this story is a tough bird and a smartass which is what she needs to be in her line of work. Sadly, a lot of people do not know/remember the Old West ballad “Sweet Betsy from Pike”, which is a shame. That gal had adventures! I can’t think of anyone who could continue the character. NOT because I don’t think they could, I just don’t think anyone else would want to be saddled with a postapocalyptic P.I. who has to drag people back into their own timeline or else…

Q: Where can your readers find you on social media?
A: I’m mainly on Facebook as Can Wiggins. I’m working on more of a presence with an author’s page or Substack or whatever. If anyone can help me, let me know! I keep threatening to name it “Miss Wiggins Can Be Difficult” which is how my doctor once described me to an intern. 

Bio: Can Wiggins never met a monster she didn’t like … except one. She’s been published by Planet X Publications, Oxygen Man Books, Alien Sun Press, shoggoth.net and the Atlanta HWA anthology, Georgia Gothic. Her cowritten screenplay “Eidolon” is a modern take on “The Yellow Wallpaper” by Charlotte Perkins Gilman and starts filming summer 2024. A member of HWA as well as The Outer Dark community, she’s been a regular contributor to Weird Fiction Quarterly since its 2022 inaugural issue. She lives in Athens.

Author Interview with Gevera Bert Piedmont

Q: If you could have a fantasy pet, what would you have and why?
A: I would have a time-traveling lizard and its companion translator parrot. With this
living TARDIS I could travel anywhere and anywhen and make myself understood.
Or be burned as a witch. Actually, the latter is more likely. Probably I would just
stay home with the lizard and the bird and sit in the sun and talk with frogs.

Q: What type of music best describes your writing?
A: I choose different music for each piece. I wrote one piece to Nine Inch Nails, another
to Heilung. If a song invokes the same emotion as I want the story to feel, that’s what I
will listen to, ad nauseam, while I write and revise. Right now I’m overdosing my ears
on The Hu’s “Wolf Totem” so something might come of that.

Q: Tell us about your writing office/space and why it’s special to you.
A: I write sitting on a couch with my feet up and my computer on a tilted lap desk. I
can see my pond and my frogs and fish. If I’m just editing or researching, I might have
music on or some weird TV in the background. True crime, aliens building pyramids (not
true, it was dinosaurs), archeology, random people reading Lenormand cards on YouTube.

Q: What is your favorite piece of visual art that has inspired a story or two?
A: I don’t think there is a piece of real visual art that I have written about, although I
have written about artists creating visual art. I want to write a story with a
character based on Nitzer Ebb’s song “Getting Closer,” for instance.

Q: If you didn’t write full-time what would your day job be? Is writing a hobby for you?
A: Writing stories and editing anthologies is pretty much what I do, along with physical
therapy because my body is an old and ruined forbidden temple I need to keep standing as
long as possible so I can keep writing and editing. (I also take care of my fish pond.)

Q: What is your writing schedule and how many words do you write in a sitting?
A: In the winter, I work out from breakfast until lunch and write, edit, and/or research
until dinner and sometimes beyond if I’m on a roll. In the summer, I work until
lunch and then I exercise in my pool, and when my ruined temple can’t take any
more movement, I retreat back to my writing couch.
Since I don’t exclusively write it’s hard to say how many words. The most ever in a
day (during NaNoWriMo) was around 18,000 but that hurt my brain. 2-5,000 is
more like it with bursts of up to 10k.

Q: How do you celebrate publishing a new story?
A: I tell people who care about me. I post it on my socials. I feel validated and happy. I do all the things I want my writers to do when I publish them. When I got my book contract, I screamed, and my husband thought someone died! I wanted to eat junk food and I didn’t have any, so I dug out this teeny tiny jar of Nutella my husband had brought back from England about 10 years ago that expired in 2018 and ate that—and it gave me massive hives. I recently got three of my books into a local Barnes and Noble and that same one is going to hold a book launch for the Connecticut horror anthology and carry that book indefinitely! I had a big bowl of edamame to celebrate. You can tell how exciting of a person I am. 10-year-old Nutella and steamed soybeans, woo-hoo

Q: How do you balance your outside life with your writing life?
What is an outside life? LOL The other “work” that I do is selling at in-person events. I have some leftover
steampunk and gothic jewelry I made, I hawk my books and I also create oracle decks that I sell. I’m often with authors at those events so they are still writing- focused. I’m in a few writing associations and have many writing friends and have made many more through editing anthologies and we all love to talk about (bitch about) writing and (not) getting published. My non-writing friends are always happy when I sell something, and I try not to bore them with too much info-dumping on my writing life. My husband is an avid gamer (tabletop, roleplaying, computer) and I often join him—there is a decided overlap in my various communities of steampunk, pagans, spec fiction writers, and
gamers.

Q: Write your eulogy in three sentences.
A: Bert Piedmont has reached the clearing at the end of her path. If you have not heard
of her, you missed out. If you have, you know who and what you mourn. In lieu of
flowers, feed a frog.

Q: What project are you most proud of completing?
B: My Necronom-RomCom duology of anthologies. I was supposed to have help and I
did it by myself. It ended up being two volumes of really great and fun stories. It’s
almost ready to hit the shelves and I can’t wait to see what readers think. And it’s
awesome to think that most of those stories exist because of me, because I put out a
prompt.

Q: Do you have any projects you would like to tell your readers about?
A: I have a few anthologies about to hit Amazon: The two volumes of Necromoni-
RomCom, Light and Dark, over 40 Cthulhu-Mythos-inspired rom-com tales, plus
Horror over the Handlebars, over twenty coming-of-age horror stories set in 80s and
90s Connecticut, mostly by authors associated with the state. Those should be out in
June 2024. If you want to write for me, there is a submission call out for Deep Ones stories at
https://obsidianbutterfly.com/aodo.html My very weird horror novel about sentient fungus from outer space running an MLM that targets fat people, Fat Monster, published by Nightmare Press, will be
out later this year. I’m finishing up the third Mickey Crow novel, Metal, and working on a couple of
non-fiction books about writing from a pagan point of view. I have a few novels on the back burner that I’m co-writing with other authors so it’s a question of everyone finding time together. I have an idea for the next Connecticut-themed anthology too!

Q: Who is your favorite character from any of your stories and why? If you had to choose a
popular author to continue writing this character in another book who would you choose
and why?
A: I love Mickey Crow. Right now, Metal is going to be her swan song unless I pick up
more readers and that makes me sad. She’s so very real to me, this woman who is a
ball of anxiety, who has these physical deformities, this prosthetic arm, she doesn’t
know where she came from or who she is, and her best friend is this gorgeous,
famous rich woman who wants to be someone else. And they hunt monsters together.

I would see if William Meikle would let Mickey into the S-Squad. She’s not much of
a fighter but maybe his military boys would appreciate her tech.

Q: Where can your readers find you on social media?
A: https://www.Facebook.com/geverabertpiedmont is my author page
https://Facebook.com/transformationsbyob is my publisher page
http://www.instagram.com/theonlymissbert/
https://linktr.ee/bybertabird
https://www.ObsidianButterfly.com
Https://www.GeveraBertPiedmont.com

Bio: Gevera Bert Piedmont is a neurodivergent cyborg swamp witch living on the edge of a frog pond in Connecticut with her spouse, cats, and an impressive collection of rubber lizards. She is the author of The Maw and Other Time-Traveling Lizard Tales, the Mickey Crow paranormal series (Shiver, Formless, and forthcoming Metal), co-author of Airesford (the other author is an actual zombie), editor of the Necronomi-RomCom Cthulhu Mythos duology and co-editor of Horror Over the Handlebars, an anthology of Connecticut horror. Her next anthology, with co-editor Elizabeth Davis of Dead Fish books, will be The Atlas of Deep Ones.

Her short stories have been published in Love Beyond Death, The Fellowship of the Old Ones, Heart of Farkness, Through a Scanner Farkly, Doomscrolling, Wicked Sick, Something Woked This Way Comes, and others.

Her novel Fat Monster will be published by Nightmare Press in late 2024.

Bert has an MFA in creative writing and belongs to HWA, Connecticut Authors and Publishers Association, and New England Horror Writers. Her (very) small press publishing company is Transformations by Obsidian Butterfly, LLC, and at this time is only publishing anthologies. Connect at Facebook.com/geverabertpiedmont, geverabertpiedmont.com, obsidianbutterfly.com, or her Amazon and Goodreads author pages.

Author Interview with Lindsey Goddard

Q: If you could have a fantasy pet, what would you have and why?
A: Hard question, as the endless possibilities made my mind race with the following thoughts: What about a Mogwai? No. It might turn into a Gremlin. What about Alf? No. He might eat the cat. What about the talking worm from Labyrinth? No, evil scientists would try to capture him to run tests and experiments. So, I have come to the conclusion that I cannot handle the moral responsibility of a fantasy pet and must decline but thank you for offering.

Q: What type of music best describes your writing?
A: Metal symphony!

Q: Tell us about your writing office/space and why it’s special to you.
A: I have two desks in two rooms, yet I end up writing in bed on my laptop, which is terrible for my posture and my bad wrist, I know. What can I say? Depressed goth girls love their beds. Perhaps because there is always a pillow to scream into. I’m working on sitting at a desk more often, though (she types from her bed)

Q: What is your favorite piece of visual art that has inspired a story or two?
A: I’m often inspired by the drawings of children. Kids are bold and unfiltered when they express themselves, and I think that’s why children’s drawings are the focal point of a lot of horror movie scenes. They don’t worry about how people will respond to their art. They simply draw the world as they see it.

Q: If you didn’t write full-time what would your day job be? Is writing a hobby for you?
A: Oh boy. The dreaded ‘J’ word. Job. I’ve had over thirty of those! People like to ask each other, “What do you do?” but very little of what I’ve done to make ends meet has anything to do with who I am. Jobwise, I am a woman of many hats. The only thing that’s a constant in my life is the drive to create. Nothing else holds my attention. I used to think this made me defective, but I’ve learned to appreciate it. Is writing a hobby? No. It’s my whole identity. It’s who I am underneath
the many hats. And it’s likely the only hat that matters in the end.

Q: What is your writing schedule and how many words do you write in a sitting?
A: I write a few times a week. I’m happy to get 500 words, but more is always nice.

Q: How do you celebrate publishing a new story?
A: It has been a while since I’ve had a new one come out, but July is a big month for me. I have at least three stories coming out in different publications that month. I’m going to celebrate by doing games and giveaways on my page.

Q: How do you balance your outside life with your writing life?
A: Poorly, to be honest! Sometimes I neglect the writing until I must eventually lock myself away and catch up. I wish I was more structured. It’s like Franz Kafka said: “The non-writing writer is a monster courting insanity.” I can’t bottle it up. Sometimes I forget that. It’ll come out with fury. Haha.

Q: Write your eulogy in three sentences.
A: If you should ever think of Lindsey Goddard and miss her--write a poem, beat a drum, paint a picture, sing a song, count the colors in the garden, or watch the birds in the sky. Because those are the moments that she enjoyed the most. And those are the moments worth living.

Q: What project are you most proud of completing?
A: I’m getting ready to release my novel, Ashes of Another Life. It was released in 2016 as a novella, but it has been expanded. I have always loved this story, and it’s even better now. Can’t wait to drop it!

Q: Do you have any projects you would like to tell your readers about?
A: Ohhhhh, just a little thing called WeirdWideWeb.org where we hold writing contests, write blogs, and record a podcast.
Q: Who is your favorite character from any of your stories and why? If you had to choose a popular author to continue writing this character in another book who would you choose and why?
A: My character Tara Jane Brewer from Ashes of Another Life left behind a polygamist cult at the age of fourteen and has a whole new life ahead of her. I’d pick her. Who to write her? A strong female voice such as Catriona Ward, Mercedes M. Yardley, Laurel Hightower, or Caitlin Marceau. I’ve read them all, and it amazes me how they capture the fragile yet enduring human condition.

Q: Where can your readers find you on social media?
A: I would LOVE more followers on X! My profile is: X.com/lindseybethgodd
Insta: https://instagram.com/lindseybethgoddard
BlueSky: lindseygoddard.bsky.social

Bio: Lindsey Goddard lives in Missouri but wishes she didn't. Her first short story collection, Respect for the Dead, was published through Total Darkness Press in 2011. Her first novella, Ashes of Another Life, was released through Omnium Gatherum Media in 2016 and is slated for release as a full-length novel in 2024. Her fiction has been published by Dark Moon Books, The Sinister Horror Company, ZBF Books, and more. Lindsey Goddard has three short story collections, a poetry book, and runs WeirdWideWeb.org.

Author Interview with J.C. Macek III

Q: If you could have a fantasy pet, what would you have and why?
A: I have to go with the dragon, regardless of how common that answer may be. A noble, loyal flying creature that can also breathe fire at its enemies? Sign me up, amigos!

Q: What type of music best describes your writing?
A: Classic Rock. I try to keep the complexity and timelessness of an album-oriented rock track and still surprise the reader when the story goes from light and melodic to heavy and terrifying at the shift of a drumbeat.

Q: Tell us about your writing office/space and why it’s special to you.
A: I tend to write anywhere inspiration hits. I’ve been known to pull my car over to the side of a busy freeway to type out a few paragraphs I don’t want to forget. Sometimes I’ll keep a window open on my computer while at my day job and work out some plot points. I’ve even written long passages and outlines while on a machine in my gym.

I suppose my favorite place to write is in my leather recliner with my lap desk, just in the comfort and coolness of my living room surrounded by my Beatles images.

Q: What is your favorite piece of visual art that has inspired a story or two?
A: I have cowritten an upcoming story in the Hand of Doom anthology called “La Maison Infernale” that took some inspiration from German Renaissance artist and woodcarver Michael Pacher’s painting The Devil Presenting St. Augustine with the Book of Vices. I was looking for a terrifying demon for this cursed house and I was inspired by his representation of hell spawn. The anthology contains stories inspired by Black Sabbath, so I didn’t base the story on Archbishop Pacher’s work, but he definitely influenced it.

Q: If you didn’t write full-time what would your day job be? Is writing a hobby for you?
A: Writing has been my lifelong passion, and I wouldn’t call it a hobby. It’s more of a necessity for my soul.

Until I hit high points on the bestseller list, I still have my day job as a computer programmer. Finishing programs isn’t the same as finishing a novel but it still feels great and some of the same effort goes in. If only a missed plot point would result in “SYNTAX ERROR”!

Q: What is your writing schedule and how many words do you write in a sitting?
A: I’ve noticed a lot of writers monitor how long and how much they write and stick to that. It could be my severe ADHD, but I never really could do that. When I’m inspired, I write. When I’m blocked, I don’t. I’ve tried forcing myself to write and it doesn’t work for me. So, sometimes I’ll write nothing at all. Other days, I’ll get twenty-five thousand words in and will only stop when my head hits the keyboard in exhaustion.

Q: How do you celebrate publishing a new story?
A: Usually, I’ll post about it on social media and tell a few people, but I stay low key on these things. I try to dive back into the next story as quickly as I can.

Q: How do you balance your outside life with your writing life?
A: It’s never easy, especially when people want to talk as soon as I start writing.
I have to prioritize my day job to stay alive, my workouts to stay healthy and my family, of course, because they’re my heart. That’s probably why I write in such strange places and times. When it has to come, it has to come.

Q: Write your eulogy in three sentences.
A: “They said he couldn’t be killed. They said he would last forever. Oh, shit, they were right, he just got up and left!”

Q: What project are you most proud of completing?
A: Definitely The Black Dahlia (2024) from Spellbound Books, LTD.
I have been lucky that my best writing has been my most recent writing. Good short stories are flowing. But my latest novel The Black Dahlia took so much time and effort and actually came out satisfactorily that I’m proud of every page of that book. Readers love it too so far.

Q: Do you have any projects you would like to tell your readers about?
A: I am editing the anthology Symptom of the Universe: A Horror Tribute to Black Sabbath. I have over thirty great stories (including some by me), all inspired by the music and lyrics of Black Sabbath. Very exciting stuff. It’s coming this summer.

Q: Who is your favorite character from any of your stories and why? If you had to choose a popular author to continue writing this character in another book, who would you choose and why?
A: Jake Slater, Private Investigator, has become my favorite character. He’s a flawed human being with his fair share of issues and he’s far beyond merely “driven” to solve his cases the best way he can. That doesn’t mean he always wins. Many of his victories are Pyrrhic. What he does do is fight through every obstacle so that his clients (living or dead) get their wins.

You can see this play out in The Black Dahlia.

Q: Where can your readers find you on social media?
A: Instagram @Kneumsi https://www.instagram.com/kneumsi/

Twitter @kneumsi https://twitter.com/Kneumsi/

Facebook: https://m.facebook.com/JakeSlaterMystery/

My GoodReads author page: https://www.goodreads.com/author/show/15259619.J_C_Macek_III

My Amazon Author Page: https://www.amazon.com/stores/author/B07111NTNF

Bio: J.C. Maçek III is a professional journalist, novelist, columnist, interviewer, critic, actor, musician and producer. Since creating WorldsGreatestCritic in 2003, he has written thousands of reviews and historical articles. This led to his work at PopMatters, one of the largest Arts and Culture magazines in the world, where he writes the popular film column The Next Reel. At PopMatters he also conducts celebrity interviews (with the likes of Aerosmith, Faith No More, Judas Priest, The Zombies, The Cult and more) and has written hundreds more reviews, articles and film history features. He has been syndicated to such print publications as The Sacramento Bee and has also contributed reviews for SpectrumCulture and political articles for The Hill. His first novel Seven Days to Die: A Jake Slater Mystery was published in 2016 and has met with acclaim. The J.C. Maçek III produced motion picture thriller [Cargo] was released in 2018 and a novelization of the [Cargo] motion picture by J.C. Maçek III was published by Bloodhound Books on January 21, 2018. After [Cargo], J.C. returned to Jake Slater’s mysteries with 2022’s The Antagonist: A Jake Slater Mystery. His latest novel is The Black Dahlia, a meticulously researched True Crime thriller based entirely on real life events. He currently resides in Southern California with his wife and family.

Author Interview with Glynn Barrass

Q: If you could have a fantasy pet, what would you have and why?
A: Hmmm a difficult one, as my cat Tiber is the only pet I’d ever want! He’s my best friend.
Let’s go for a Manticore though. They look cool, could fly me places, and really f**k up
my enemies with that scorpion tail of theirs.

Q: What type of music best describes your writing?
A: That truly depends on what genre I’m writing in. I listen to movie scores and soundtracks
while I’m writing, so I guess you could say orchestral?

Q: Tell us about your writing office/space and why it’s special If you could have a fantasy pet, what would you have and why?
A: It’s just a desk in a corner of my front room, so nothing particularly special about it. It has
been there a long time though!

Q: What is your favorite piece of visual art that has inspired a story or two?
A: I would have to say pieces, many pieces, and that’s art by Chrisopher Shy. He’s an
amazing artist and his paintings have inspired many stories. You can find some of his
great images here: https://www.artstation.com/studioronin

Q: If you didn’t write full-time what would your day job be? Is writing a hobby for you?
A: Well preferably my day job would be rich dilettante ha-ha, otherwise I have no idea.
Writing is more of a hobby for me than anything else, because I can’t imagine any day
job being this enjoyable.

Q: What is your writing schedule and how many words do you write in a sitting?
A: I write every day, shortly after getting up. Word count is variable, and I’m satisfied if I
get 300 words written in one sitting, if they’re good words.

Q: How do you celebrate publishing a new story?
A: Nothing special, just the feeling of satisfaction, I guess.

Q: How do you balance your outside life with your writing life?
A: I have no outside life ha-ha. I am quite the recluse by nature and happy with that.

Q: Write your eulogy in three sentences.
A: I would use the Howard Phillips Lovecraft couplet from The Nameless City:
“That is not dead which can eternal lie,
And with strange aeons even death may die.”

Q: What project are you most proud of completing?
A: Another difficult one! I’ve completed many projects so it’s impossible to choose just one.
The anthologies I edited for various publishers make me equally proud, followed by the
campaign book I wrote with Brian M. Sammons for Chaosium: A Time To Harvest.

Q: Do you have any projects you would like to tell your readers about?
A: Absolutely! My most recent anthology, co-edited with Brian M. Sammons. Mystery,
Murder, Madness, Mythos, is a collection of stories that blend the Cthulhu Mythos with
the Murder Mystery genre, and our authors did a fantastic job. It was published by PS
Publishing and is available from their site and all major book outlets.

Q: Who is your favorite character from any of your stories and why? If you had to choose a
popular author to continue writing this character in another book who would you choose
and why?
A: My favorite character is Cassandra Bane, a female Private Detective based in Red Hook,
New York. I’ve written over a dozen stories featuring her encounters with threats from
the Cthulhu Mythos to more traditional horrors. Who would I want to carry her torch?
Perhaps William Gibson? He’s one of my favorite authors, and she would certainly fit in
with his style and imagination.

Q: Where can your readers find you on social media?
A: There’s my website:
https://strangeraeons.godaddysites.com/
And my Facebook:
https://www.facebook.com/glynn.barrass/

    Bio: Glynn Owen Barrass lives in the North East of England and has been writing since late 2006. He has written over two hundred short stories, novellas, and role-playing game supplements, the majority of which have been published in France, Germany, Japan, Poland, Portugal, the UK, and the USA.

    To date he has edited and co-edited ten anthologies: Anno Klarkash-Ton, Atomic Age Cthulhu, The Children of Gla’aki, Eldritch Chrome, In the Court of the Yellow King, Murder Mystery Madness and Mythos, Steampunk Cthulhu, The Summer of Lovecraft, Through a Mythos Darkly, and World War Cthulhu.

    He has been the co-recipient of two Ennies awards for his gaming work.

    Author Interview with Melanie Crew

    Q: If you could have a fantasy pet, what would you have and why?
    A: THE NEVERENDING STORY was one of my go-to movies when I was a kid growing up in the ‘80s. I think the luck dragon (Falkor) was every kid’s coveted fantasy pet during that era, including mine – although a close second would be Ludo from LABYRINTH. I came close to having my very own luck dragon – Spartan, an elder Aussie/American Bulldog mix I adopted at the beginning of the pandemic. There were days when he’d flop out on the floor and he’d fit the bill, although I suppose his flying skills could have used some work.

    Q: What type of music best describes your writing?
    A: Not sure, really, as my writing style seems to be all over the place. Bjork? Ha! But if I had to choose one genre or type of music, I’d say film scores. I think I’m a pretty visual writer, and I also love film—the two go hand in hand, and sometimes while writing a story I also imagine the music that would play in the background – music has an awesome way of guiding a narrative.

    Q: Tell us about your writing office/space and why it’s special to you.
    A: I don’t have one place that’s specific to writing. I’ve been known to sling words in my somewhat clean/mostly cluttered home office; plopped down on the couch in the living room; splayed out on my bed; when it’s cooler out (I live in Georgia, so spending a lot of time writing outdoors is not always conducive to being comfortable) I write out on my deck. When I need to get away, I head to one of the local coffee shops and I’ve even been known to sling some words at Waffle House with a cup of coffee – I haven’t done that in ages, so maybe that’ll be my next writerly field trip.

    Q: What is your favorite piece of visual art that has inspired a story or two?
    A: I’d say film has inspired many of my stories—films from folks like Lynch, Brooks, Kubrick, the Coen Brothers – but also the artwork of William Blake. His subject matter and use of color has always fascinated and terrified me in ways I can’t really describe. “The Ghost of a Flea” is one of my absolute favorites. Followed by “The Ancient of Days” and “The Lovers Whirlwind,” just to name a few.

    Q: If you didn’t write full-time what would your day job be? Is writing a hobby for you?
    A: Writing is not a hobby, but something I’ve been compelled to do since childhood, and I wish I had the means to without needing a day job. But I think a lot of authors fall into this category.

    Q: What is your writing schedule and how many words do you write in a sitting?
    A: I aim for 1000 words a day. But you know, life gets in the way sometimes. I don’t beat myself up about it if I’m not able to reach that goal. There’s always tomorrow. 

    Q: How do you celebrate publishing a new story?
    A: By hopping on another that’s been in my WIP list that I’ve neglected for far too long.

    Q: How do you balance your outside life with your writing life?
    A: My writing life will always be important because of the community I’ve been lucky enough to be immersed in, so, writing will always be a part of what I do. I think in these last few years we’ve all learned [or are still trying to learn] to cut ourselves a little bit of slack. Pre-plague I was on the go 24/7 with a million balls in the air and I liked it like that. Kept my mind from focusing on things I had no control over. I couldn’t function without constantly being busy, having something to do, including working my day job, slinging words, whether it was my own fiction, or being Managing Editor/Contributing Writer for ATLRetro.com, raising my kid, going to the movies, events, etc. And now, I’ve learned to set aside time for what feels right and I no longer try to force a full schedule if I’m just not up to it, and frankly I’m generally not. I write when it feels right and I sit on it for awhile if it doesn’t.

    Q: Write your eulogy in three sentences.
    A: She lived. She laughed. She languished.

    Q: What project are you most proud of completing?
    A: I’ve been writing for most of my life – publishing mostly non-fiction magazine articles and interviews of artists and creators. However, I didn’t start submitting my fiction officially for publication until 2019. I’m proud of all the stories I’ve been able to successfully complete. If you could see my WIP list [35+ stories going back to 2013], you’d completely understand.

    Q: Do you have any projects you would like to tell your readers about?
    A: My most recent story, “In the Darkness – A Familiar Voice,” was published in the Folk Horror issue of Weird Fiction Quarterly. I’m currently working on a few short stories that may actually grow into novelettes, as well as a southern gothic-spec-lit story about my time working as prison librarian on the grounds of Central State Hospital in Milledgeville, GA.

    Q: Who is your favorite character from any of your stories and why? If you had to choose a popular author to continue writing this character in another book, who would you choose and why?
    A: I have spent so much time with my female protagonist in my short story Quickening and she has grown and changed so much over the years. I’d say she would be my favorite so far. This is one of the stories I’m currently revamping because it’s begging to be at novelette length. As for a popular author to continue her legacy, that’s a tough one. There are so many diverse authors out there who I would be honored for them to continue her story.

    Q: Where can your readers find you on social media?
    A: I can be found on IG [@mellucille1] and my website: www.MelanieCrew.com

    MELANIE CREW is a weirdling, a mother of one killer–yet oh so lovely–adult spawn, and a writer of stories, mostly creepy. She was born in the Midwest, moved many times during her early childhood and landed near Chattanooga, TN. She currently resides in Atlanta, GA with her two weirdo rescue companions, a.k.a. The Misfit Creatures (Sprocket and Poly Styrene). She is a Weird wrangler with The Outer Dark Symposia [Assistant Director/Chapbook Editor] and Managing Editor of ATLRetro. She loves monsters and has a love/hate relationship with birds–they clearly want her dead. 

      Interview with Author Carolyn Lenz

      Q: If you could have a fantasy pet, what would you have and why?
      A: Fenrir. A wolf massive enough that it can be used as a sofa and ridden like a horse. What’s not to love?

      Q: What type of music best describes your writing?
      A: Emo. Melodramatic and maybe a little immature, but fun and full of energy.

      Q: Tell us about your writing office/space and why its special to you?
      A: My writing space is comfortable and filled with a lot of things that inspire me, but one of my favourite things is my vintage banker’s lamp. I inherited it from my grandmother, who was also a writer. There’s a tiny smiley-face sticker on it that she put there to remind herself to be positive.

          Q: What is your favourite piece of visual art that has inspired a story or two?
          A: I don’t have a specific piece of art that has inspired any specific stories, but I’ve always loved the work of Roy Lichtenstein, and his pop art-inspired paintings are inspiring to my approach to writing in general. Lichtenstein recreated the look of pages from romance comics, down to doing cross-hatching or using dots rather than filling a space with colour, remaking what society considers trash as high art by turning it into an oil painting in an art museum. The pulp art made for mass consumption can be seen as high art with a higher message, depending on how you look at it. I always tell people my dream is to write something like RoboCop: absolute B-movie fun and a vicious indictment of capitalism at the same time.

          Q: If you didn’t write full time what would your day job be? Is writing a hobby for you?
          A: Writing is definitely my dream job, but it’s not my day job. I actually work as a production scientist for a pharmaceutical manufacturer.

          Q: What is your writing schedule and how many words do you write in a sitting?
          A: Terry Pratchett said he wrote 400 words a day, so I like to make that my baseline.

                  Q: How do you celebrate publishing a new story?
                  A: I like to light a candle and pour one out for Dionysus.

                    Q: How do you balance your writing life with your outside life?
                    A: Every time I think I have it figured out; all my habits completely fall apart. I go through periods of setting aside an hour or two a day to write in the evening, once I’m done with work but before dinner, and I manage to keep it up for a few months, only to lose discipline for a few weeks. But I think those few weeks of relaxation are necessary. Writers need to gather experiences in order to write things that feel true and vivid.

                    Q: Write your eulogy in three sentences.
                    A: “C believed in radical empathy, striving to understand everyone’s point of view, even and especially the ones she disagreed with. At the same time, she feared it was impossible to ever fully understand any other human. Hopefully, the afterlife is the place of deep, peaceful understanding that she always sought.”

                        Q: What project are you most proud of completing?
                        A: Right now, I’m most proud of working on a recent 48 Hour Film Project, a competition where you have 48 hours to write, shoot, and edit a short film with a team. There were a lot of tough challenges that I’m not used to – writing a screenplay, not prose, working within a very small budget, and using an unexpected genre – but our short film was completed and submitted on time.

                          Q: Do you have any projects you would like to tell your readers about?
                          A: There’s no release date yet, but I’m excited for the coming release of my novella, Thyrst Festival. It’s a survival horror story about being trapped on a private island for a luxury music festival that has gone horribly wrong – because the organizers are vampires.

                            Q: Who is your favourite character from any of your stories and why? If you had a chance to choose a popular author to continue writing this character in another book, who would you choose and why?
                            A: One of my favourite characters I’ve written was from a short mystery story, Inspector DeSordre. I’ve always loved the type of fussy, meticulous detective characters like Hercule Poirot or Benoit Blanc, but I wrote DeSordre to be a messy slob as a fun subversion on the trope. I think Ruth Ware could write a really good mystery for him to solve.

                            Q: Where can your readers find you on social media?
                            A: @Sealenz on Twitter, Instagram, and Threads, and links to all my published stories are at https://linktr.ee/sealenz

                                Bio: C Lenz is a writer, scientist, and odd little thing. Her stories have been published by Metaphorosis, the NoSleep Podcast, and Fairfield MicroScribes, among others, and her novella Thyrst Festival will be released November 15th, 2024. (Her published stories can be found at https://linktr.ee/sealenz ) She lives in Hamilton, Ontario, Canada with her wife Zoey.

                                Author Interview with William Becker

                                Q: If you could have a fantasy pet, what would you have and why?
                                A: Probably that black hole thing from The Cipher by Kathe Koja. If you haven’t read that book, it’s about this strange black hole that appears in a storage closet that the main character and his girlfriend discover. When the main guy sticks in his hand, it mutates. They get this crazy, nearly sexual obsession with it. It’s a trip of a book. I think it’s described as the funhole and it makes everyone obsessed and violent in the neighborhood. I pick that because it would help me make friends.

                                Q: What makes you unique as an author? 
                                A: I think on a superficial level, I’ve really taken ergodic techniques into all of my layouts. When I first started writing, which was when I was 12, I did things the standard way which is what 99% of books in fiction do. Starting with 2023’s By The Ocean, I started implementing unique formatting into my writing. I learned how to use InDesign for layouts to give me more customization options because I wanted to really reward people for buying my work and produce a product that is unlike anything else on the market. When you flip through By The Ocean, you’ll see that the beginning of every chapter has reverse colored text and a distorted version of the cover to produce this sort of damaged media effect. This effect grows with each chapter. I also used spiral shaped text and text in the shapes of waves. I don’t do it so overbearingly that it’s a pain to read, but enough so that when I really want to put emphasis on a passage, the reader really gets drawn to it. I guess like most people, I was really impressed with House of Leaves by Mark Z. Danielewski. It’s not supposed to be a gimmick to replace good writing, I just think it adds a certain flavor that can’t be found in many other places in a meaningful place. 

                                  In terms of writing, I think I’ve found the balance between writing horror that is horrific and things that actually have a really important message. My current project, which is called When Bad Dogs Do Good Things, is really inspired by splatterpunk but one major criticism that splatterpunk gets I think unfairly is that it is senselessly violent. In the case of that story, it’s one of the most horrific and violent things I’ve ever written, but it has a really important narrative about the male savior complex, narcissm, and misogyny. I think it also touches on a societal issue where we are very focused on self improvement without accountability as to how we treat others. That’s not to say that mental issues or trauma is anybody’s fault, but it certainly is your responsibility to make sure you don’t use it as a crutch to treat the people around you like garbage. 

                                  I also jump genres a lot. Weeping of the Caverns, which I published at 15, is an almost fantasy horror epic. Grey Skies, which came out when I was 15,  is surreal allegorical horror akin to David Lynch or Silent Hill. The Vampire of Koln is a historical fiction slasher set in World War 2 where each chapter has a different main character to really capture that “war is hell” perspective.” My fourth novel, which i put out last year, is a very depressing drama called By the Ocean and that’s about a man going on drug fueled death binge.

                                  Q: What type of music best describes your writing?
                                  A: I’d probably say something intense and full of tempo changes like Dillinger Escape Plan or maybe something super weird like Mr. Bungle. For my darker stuff, I’d say noisier metal like Whores or Knocked Loose which is full of vitriol and chaos. I love music that is chaotic and doesn’t ever stop to let you feel comfortable.

                                  Q: Tell us about your writing office/space and why it’s special to you.
                                  A: Maybe I’m crazy but I don’t have a set writing space. I’ve written stuff while using voice to text on my phone notes in the shower, I’ve written stuff after I’ve tucked my toddler in on my phone, I’ve written on my laptop at a nice big wooden desk in the middle of the day, and I’ve even stayed late after work at my office to write. I have memories of being in Atlanta and being on the 26th story looking over the city and writing a chapter on a $200 ThinkPad.  That being said, I prefer writing in the dark and/or with colored lights, not as much in the daytime. 

                                      Q: What is your favorite piece of visual art that has inspired a story or two?
                                      A: David Lynch’s Lost Highway and Eraserhead have both had a tremendous impact. When I was in high school, I remember having a blast with friends trying to discover the meaning behind the films. While I could never dream of creating something as ambiguous and inaccessible as a Lynchian piece, I enjoy leaving breadcrumbs in the narrative that aren’t actually immediately answered, the kind that you really notice upon re-reads. I can’t compare myself talent wise to Lynch but I’ve always appreciated how he sort of rewards the fans that watch all of his works and re reads them 

                                        Q: If you didn’t write full-time what would your day job be? Is writing a hobby for you?
                                        A: Writing is more than a hobby for me but definitely not a career. I work a job full time (in addition to being a 23-year-old parent) that allows me to be social and creative. I would go crazy if I only wrote. 

                                        Q: What is your writing schedule and how many words do you write in a sitting?
                                        A: This alternates from project to project. In 2019 when I was in school and before COVID, I wrote 200 words every day. In the Summer of 2020, I did 600 a day. I write less frequently now but I’ve become more of a fan of the writing sprint: where I’ll take thirty minutes or so and write as many words as possible. It usually helps me get out of sections I’m stuck in.

                                            My policy is that I generally write as many words as I need to while maintaining a certain quality. There’s no answer to this. I wrote Something Wrong with Max in three sittings in entirety. I wrote New York Onions in one sitting. I probably took 30 sittings to write When Bad Dogs Do Good Things. The smallest session probably generated about 200 words, the largest around 7,000.

                                            Q: How do you celebrate publishing a new story?
                                            A: Usually by telling every person on the face of the earth. 

                                              Q: How do you balance your outside life with your writing life?
                                              A: Because I piss excellence, I have no problem doing this. I could write in my sleep. When I’m demotivated, I have a really good support system of friends and family who always remind me that I matter. That’s why when I put out a book, there’s always a lot of people thanked in the beginning sections.

                                              Q: Write your eulogy in three sentences.
                                              A: William Becker was proud father who ran every step that he walked. Sometimes he wrote books. He’s thankful for his family and friends. 

                                              Q: What project are you most proud of completing?
                                              A: I’m proud of them all. I’m proud of writing and editing Weeping of the Caverns when I was 14 and publishing it when I was 15. I’m proud of publishing Grey Skies while I was applying for college and had just turned 18. I’m proud of publishing The Vampire of Köln while I was 22 and dealing with a crazy court battle while working my first months of my career job. I’m proud of publishing By the Ocean just seven months after The Vampire of Köln when I had just turned 23. I’m proud of coming up with the concept of Something’s Wrong with Max on New Years Eve of 2023, then having it written, edited, and accepted for publication by the 10th of January in 2024. Maybe my most impressive nonrealized achievement so far is what will be my fifth full length novel, An Act of God. I came up with the original concept when I was 13 back in 2014. For the massive scale of the novel, I didn’t feel ready to put pen to paper, so I spent the next five years until mid 2019 just jotting down ideas that stuck.

                                                    I wrote 200 words a day of the novel until late 2020 roughly, when I was 19 about to turn 20 and found out I’d be a father.  I started writing again in December of that year and January of 2021 until at the end of that month, when I was driving home one night, a man threw himself in front of my car while I was going 50 miles an hour. This put a wrench in the writing plans. My daughter was born in April of 2021. I put the finishing touches on the final draft of the story in June and May of that year. Now it’s 2024. I’m about to start heavily editing with a goal of release in November or December, 10 years after the inception of the story.

                                                    Q: Do you have any projects you would like to tell your readers about?
                                                    A: in addition to An Act of God, I’m working with a publisher to put out When Bad Dogs Do Good Things in August and September. It’s a novella that’s about 20,000 words long and heavily inspired by splatterpunk punk legends like Judith Sonnet, Daniel J Volpe, and Aron Beauregard. It’s about a misanthropic depressed incel who finds himself taken by the most violent night of his life. It’s sexual, drug-fueled, and uncomfortable beyond words.
                                                     
                                                    Q: Who is your favorite character from any of your stories and why? If you had to choose a popular author to continue writing this character in another book, who would you choose and why?
                                                    A: My recency bias tells me about the protagonist from When Bad Dogs Do Good Things. He hates himself and is perpetually lonely, but that comes with a sense of black humor and disdain for the world that really makes the character shine. He’s not written to be a shining example of a good person but he represents a lot of the worst tendencies in people. He’s constantly miserable and he was a blast to write. I’m sure we’ve all met someone like him. 

                                                        Q: Where can your readers find you on social media?
                                                        A: @TheWilliamBecker on TikTok and Instagram. 

                                                          Bio: William Becker is an author of transgressive, provocative, and dark novels with roots in the horror genre. He has been writing horror stories since he was 12, with his first book, “Weeping of The Caverns” published just a month after he turned 15. His work is frequently influenced by the universe of Silent Hill, the surrealism of David Lynch, and most importantly, subverting expectations.

                                                          While still a figure in the indie-author underground, his accolades are numerous, from “New York Onions” being published twice in Atlantis Creative Magazine and featured by Wattpad, to the film adaptation of “For We Are Many” playing in festivals across the globe, to “The Egg” being prominently featured on the Written in Red Podcast.

                                                          After his second full length, Grey Skies, was released in 2019, he became a staff writer for the Seahawk, the University of North Carolina Wilmington, where he won the “outstanding rookie” award in 2020. What followed during the Covid-19 pandemic were a series of free short stories on his website, including the “romance” with elements of social-critique in the form of “Seventh Circle,” the surreal-body-horror of “The Egg,” the brutal take on suicide of “For We Are Many” and the realities of heroin addiction in “The Soil of God.”

                                                          2022 and 2023 saw the film production of “For We Are Many,” a productive internship at NBC WECT-6, as well as the release of his third and fourth novels, “The Vampire of Köln” and “By the Ocean.”

                                                          William currently lives in Boone, North Carolina with his family and his daughter, Valentina, whose favorite show alternates between “Paw Patrol” and “Rubble & Crew.” He works in marketing for a newspaper that has been publishing without interruption since 1888.

                                                          Image credits: The Soil of God – Silas Ayers, By the Ocean – Silas Ayers, The Vampire of Koln, Silas Ayers, Grey Skies – William Becker, Weeping of the Caverns, William Becker, Something’s Wrong with Max – Silas Ayers, New York Onions – William Becker